Every inflection and movement implies a status, no action is due to chance, or really ‘motiveless’.
Status is an essential tool for every improviser. Learning how to recognise status and how to play status adds authenticity to our work. Utilising status informs and develops relationships and the status see-saw principal is integral to comedic and dramatic interactions. Status change moves narrative forward and playing contrast between status played and social status delights the audience.
Intimacy and scene content is 'Acquaintance'.